Thanks for reading - Glenn EricksonAmerican Ninja 4: The Annihilation 1990. The plan is to use part of the review to talk about the wild and unruly Cannon trailer department, back in its 'Mo & Yo' heyday. I don't review too many Cannon pix but I cut the trailer for this Michael Dudikoff title back in 1988, so can't resist. The same goes for Kino's American Ninja 3 - Blood Hunt.
After you worked your way through the Chuck Norris and Van Damme films in the action section of your local video store - it was on to the Cannon Films movies and Dudikoff for more entertainment. Though his notoriety is not quite on the same level as those three, he is still a talented physical actor and martial artist who helped bring a lot of memorable action films to the VHS obsessed youth of the world in the 1980s. He represents another heroic badass that can stand rightly in the same line with the likes of Chuck Norris, Jean Claude Van Damme and Steven Seagal. The two American Ninjas, Joe Armstrong and Sean Davidson, team up to do battle against a terrorist and his band of Ninjas.Michael Dudikoff is a name that is mentioned with a great deal of affection and reverence by action genre fans of a certain age these days.
It also establishes the duo of Dudikoff and the great Steve James. AMERICAN NINJA also has a fun "ninjas training" scene with an elaborate obstacle course. It's kind of one of those scenarios where a guy has great power and skill, but prefers not to use them unless he gets backed into a corner (and Cannon films have a lot of "backed into a corner" scenarios). In the first film, Dudikoff is established as a mysterious and troubled man who has little memory of who he is and where he came from, but has been trained in the arts of ninjutsu - the art of assassination.
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AMERICAN NINJA also has the extra added bonus of having the lovely Judie Aronson (WEIRD SCIENCE, FRIDAY THE 13TH: THE FINAL CHAPTER) as the daughter of a military colonel and the film's love interest.Amazon.ca - Buy American Ninja 4: The Annihilation at a low price free shipping on qualified orders. A real hard working dude who plays a perfect partner to the hero. He's like a combination of Carl Weathers and Fred Williamson, but with more of a martial arts and stunts background.
Especially in the B&W version put out on DVD-the movie’s about the early, pre-Birth of a Nation days of filmmaking, and Bogdanovich’s precise, witty direction is a good match for the classics of silent comedy, which tend to be both hilarious and beautiful.A low-key, revisionist Robin Hood movie starring Sean Connery that hasn’t really received much more attention in recent years even as director Richard Lester’s career, as a whole, has. 1975’s At Long Last Love is admittedly not good, though also unique if nothing else, but 1976’s Nickelodeon is delightful. 1974’s Daisy Miller is-aside from a not-great Cybill Shepherd performance-the best Merchant Ivory movie Merchant Ivory never made. The odd thing is that, unlike his contemporaries’ not necessarily bad but undeniably excessive Waterloos-One from the Heart, Heaven’s Gate, New York, New York-his string of flops seem hardly in diminished in quality to me from his hits. He was also the first to experience the large-scale failures and public backlash that eventually, either at the end of the decade or start of the next, overtook them all.
As an adaptation of a play, Terrence McNally’s then-hit Broadway comedy, it might not seem to reveal many traces. And I’d also recommend that second film, which if anything is even lesser-known. The remaining cast couldn’t be better chosen: Audrey Hepburn as Maid Marian (probably the best role of her spotty later career), Robert Shaw as the Sheriff, Denholm Elliot as Friar Tuck, and Ian Holm as King John.A prolific director these days is one who releases a movie every year, or even every other year, but in 1976 Richard Lester managed to release two. I was raised on ‘80s popcorn movies, on Spielberg and Lucas and Joe Dante, and along with the similarly themed Little Big Man, this was probably my first encounter with the New Hollywood sensibility (even if American-born Lester was British-based.) What made the greatest impression on me wasn’t the reimagining of fictional characters, but Richard Harris’s performance as the real-life King Richard I, presented here as an alcoholic, psychopathic despot just returned from a futile foray into the Holy Land, along with the middle-aged, weary Robin and Little John (Nicol Williamson.) Harris has only a few scenes, all in the beginning, but he’s unforgettable as a prototypical ‘70s bad authority figure.
It was something called Modesty Blaise and it immediately aroused my curiosity. Tarantino packed that film with visual references and when I finally noticed the book that John Travolta's Vincent Vega character is reading in the bathroom at Butch's (Bruce Willis) apartment. I was past paying attention to the plot and had now turned my focus on the minutiae and the little details. The appealing, not very well-known Lenny Baker plays the Mazursky stand-in, the proverbial nice Jewish boy with a proverbial Jewish mother (Shelley Winters), who aspires to be an actor (Mazursky became one, and appeared in Stanley Kubrick’s independent first movie, Fear and Desire.) The rest of the cast is filled with more recognizable faces, mostly in the start of their careers and less locked into the personas we now know them by: Christopher Walken, Jeff Goldblum (particularly funny as a Victor Mature/Tony Curtis-like ‘50s matinee idol), Lois Smith, Antonio Fargas, Ellen Greene (and Bill Murray, mustachioed and for a few seconds in the corner of one crowd scene).I first became aware of Modesty Blaise as a character way back in 1994 when I was seeing PULP FICTION for the third or fourth time in the theater.
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It all feeds into Monica Vitti getting to show off lots of snazzy outfits and kick a little butt.The 1960s was rife with spy films. Blaise to help protect a big diamond shipment. The plot is quite simple and concerns the British Secret Service enlisting the services of Ms. I also just discovered that Blaise herself was actually a popular British comic strip character (later made into a book series and several films) - which absolutely makes sense after seeing this movie. I did however discover the existence of the film version starring Monica Vitti and directed by the great Joseph Losey.
I guess I was just used to seeing her in Antonioni films where she tends to be bit more on the aloof side of the spectrum. Watching this movie, I was shocked at just how energetic and lively Monica Vitti could be. She even has her own swingin' theme song (man do I love these kind of theme songs). MODESTY BLAISE is something like James Bond and Diabolik rolled into a sleek and sultry female package. Movies like DANGER: DIABOLIK encapsulated a wildly stylish 60s espionage aesthetic that would rarely be achieved again. James Bond was just the tip of the iceberg, but there were so many more and lots of them could be pretty campy (in an entertaining way).
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